Day 306: The Great Gatsby (2013)

2949000564366_p0_v1_s600Now this is a great Great Gatsby.

I’m not even a fan of Baz Lurhmann, who directed this 2013 adaptation of F. Scott Fitzgerald’s novel. Lurhmann is a hyper-kinetic director whose style often becomes a distraction.

You see, that’s my biggest pet peeve when it comes to movies.

When the director’s camera becomes another character in the film (for example, when hand-held camera work makes a movie so jerky one gets nauseous attempting to watch it), I immediately lose interest. I walked out of The Hunger Games for that very reason. It was impossible to watch.

In Lurhmann’s case, his fanciful, over-the-top settings, quick cuts, and boisterous music make movies I would never number among my favorites.

Except for this one.

This adaptation of The Great Gatsby offers the best Daisy Buchanan (Carey Mulligan), the best Nick Carraway (Tobey Maguire), the best Gatsby (Leonardo DiCaprio), the best Tom Buchanan (Joel Edgerton), the best Jordan Baker (Elizabeth Debicki), and the best George Wilson (Jason Clarke).

It also offers the best acting, the most compelling cinematography, the best costumes, the best lighting, and the best narration of any of the previous three Gatsby adaptations.

Lurhamnn’s Gatsby is electric. It crackles with a palpable energy that permeates every scene.

In short, it is Continue reading

Day 282: F. Scott Fitzgerald’s The Great Gatsby

Beethoven190Good-bye Beethoven.

Hello F. Scott.

This leg of my three-year journey through the works of the world’s greatest composers, authors, filmmakers, musicians, and actors is a three-week assessment of F. Scott Fitzgerald’s great American novel The Great Gatsby.

According to its entry on Wikipedia:

The Great Gatsby is a 1925 novel written by American author F. Scott Fitzgerald that follows a cast of characters living in the fictional town of West Egg on prosperous Long Island in the summer of 1922. The story primarily concerns the young and mysterious millionaire Jay Gatsby and his quixotic passion and obsession for the beautiful debutante Daisy Buchanan. Considered to be Fitzgerald’s magnum opus, The Great Gatsby explores themes of decadence, idealism, resistance to change, social upheaval, and excess, creating a portrait of the Jazz Age or the Roaring Twenties that has been described as a cautionary tale regarding the American Dream.

Fitzgerald, inspired by the parties he had attended while visiting Long Island’s north shore, began planning the novel in 1923 desiring to produce, in his words, “something new—something extraordinary and beautiful and simple and intricately patterned.” Progress was slow with Fitzgerald completing his first draft following a move to the French Riviera in 1924. His editor, Maxwell Perkins, felt the book was too vague and convinced the author to revise over the next winter. Fitzgerald was ambivalent about the book’s title, at various times wishing to re-title the novel Trimalchio in West Egg.

And that’s where my journey begins – with Trimalchio: An Early Version of The Great Gatsby.

Over the course of the next 24 days, I’ll read Trimalchio, The Great Gatsby, Fitzgerald’s novel that became the basis for a bunch of film versions…and then watch all four said movies (a 1925 silent adaptation is a lost film):

1949 – starring Alan Ladd, Betty Field and Shelley Winters
1974 – starring Robert Redford, Mia Farrow and Sam Waterston
2000 – starring Paul Rudd, Mira Sorvino and Toby Stephens
2013 – starring Leonardo DiCaprio, Carey Mulligan and Tobey Maguire

And then compare and contrast them (as my college professors asked me to do on exams).

I’m not sure how I’ll keep the blog, though.

It’s one thing to listen to a CD every day and write about it. It’s another thing to read a book and…what? Do I write how many pages I read? What I’m thinking as I read it?

I’ll figure it out.

I’m a big boy.

Day 179: Deconstructing Harry

5190Q1J1FJLAs if the cast of Everyone Says I Love You wasn’t big enough, Deconstructing Harry raises the bar even higher – at least in body count.

The cast for Deconstructing Harry reads like a Who’s Who of Hollywood:

Caroline Aaron
Kirstie Alley
Bob Balaban
Billy Crystal
Judy Davis
Richard Benjamin
Eric Bogosian
Amy Irving
Julie Kavner
Eric Lloyd
Hazelle Goodman
Mariel Hemingway
Julia Louis-Dreyfus
Tobey Maguire
Demi Moore
Elisabeth Shue
Stanley Tucci
Robin Wiliams

Unless all those people opted to work for peanuts, the cost for the cast, alone, must have been the entire budget of the movie.

Deconstructing Harry is about an oversexed novelist (Woody Allen) who writes – when he doesn’t have writer’s block – without conscience or guilty about the people in his life, spinning thinly veiled yarns that ruin lives.

“I still love whores,” Harry tells his shrink as they “deconstruct” his life, which is told in flashbacks and covers various relationships and/or sexual conquests he’s had over the years.

Deconstructing Harry is another caustic, foul-mouthed Continue reading