This morning’s listening fare opened with a bang — like thoroughbreds out of the gate.
And it should. The first composition on CD 3 is Symphony No. 9 in C, the first movement of which is allegro molto — very quick.
Which is a terrific way to begin a day.
Symphony 9 in C is a short symphony – its three movements constitute only about 12 minutes in length – that seems to end much too quickly. No sooner are the horses out of the gate and sprinting down the track when the race is over, and I find myself in Symphony No. 10 in D.
In between, however, is Movement II (“Andante”), which — as the term suggests — is slower, literally “at a walking pace.” It gives my metaphorical horses a chance to catch their breath.
Movement III (“Finale: Menuetto & Trio”) is slow, graceful, in the tempo of a minuet (often in 3/4 or 6/8 time). So now the horses are Continue reading