Day 177: Mighty Aphrodite

51P59FDPC8LMighty Aphrodite, the 26th movie Woody Allen directed, is a return to form.

It’s a more focused, clever film, which – amidst the previous couple of dogs, and followed by another couple of really awful movies – makes it stand out like a diamond on black velvet.

Which is not to say Mighty Aphrodite is the best Woody Allen movie. In fact, it’s probably right about in the middle, perhaps just a tad above average.

Even at that, it’s a far better movie than most made these days.

Mighty Aphrodite is the story of a New York couple – Lenny Weinrib, a sportswriter (Woody Allen) and Amanda, his S.O. (Helena Bonham Carter) – who decide to adopt a child.

At one point, Lenny starts to feel disenchanted with his relationship (big surprise there, right?) and he seeks out the adopted boy’s real mother, who turns out to be a hooker/porn star named Linda Ash (Mira Sorvino, who won an Academy Award for Best Supporting Actress for her performance).

Woody has a knack for writing bimbo characters, and Continue reading

Day 175: Bullets Over Broadway

51W6CN4Y3FLBullets Over Broadway is the 24th film Woody Allen directed.

This time around, he co-wrote his movie with Douglas McGrath.

Released in 1994, this “crime-comedy” – according to its entry on IMDB – is about:

In 1920s New York, a struggling playwright is forced to cast a mobster’s talentless girlfriend in his latest drama in order to get it produced.

It’s a heck of a cast:

John Cusack … David Shayne
Dianne Wiest … Helen Sinclair
Jennifer Tilly … Olive Neal
Chazz Palminteri … Cheech
Mary-Louise Parker … Ellen
Jack Warden … Julian Marx
Joe Viterelli … Nick Valenti
Rob Reiner … Sheldon Flender

And there are some great performances.

However, this movie is loud, talky, and frenetic, even by Woody Allen standards. Shouting appears to be the preferred method of delivering lines. And, when that fails, bullets from a Tommy gun help punctuate a scene.

The end result is loudness. Times 10.

For example, Continue reading

Day 167: September

41QX6GHNP2LSeptember, the 16th movie Woody Allen Directed, opens with a push in shot of the interior of a home.

Then, we hear two people – a man and a woman – speaking French.

The two people are revealed to be Howard (Denholm Elliott) and Stephanie (Dianne Wiest), sitting on a couch. Howard is teaching Stephanie the language.

According to its entry on IMDB, this is what September is about:

At a summer house in Vermont, neighbor Howard falls in love with Lane, who’s in a relationship with Peter, who’s falling for Stephanie, who’s married with children.

Sounds like typical Woody Allen.

It’s a great cast, one that includes some of my favorite actors:

Denholm Elliott (1922–1992) … Howard
Dianne Wiest (1948- ) … Stephanie
Mia Farrow (1945- ) … Lane
Elaine Stritch (1925- ) … Diane
Sam Waterston (1940- ) … Peter
Jack Warden (1920-2006) … Lloyd

I wasn’t familiar with Elaine Stritch prior to September. So I looked her up. Here’s what her bio says about her:

A brash, incorrigible scene-stealer now entering her sixth decade in a career that has had many highs and lows, veteran Elaine Stritch certainly lives up to the Stephen Sondheim song “I’m Still Here”. Having stolen so many moments on stage that she could be convicted of grand larceny, this tough old broad broaching 80 with the still-shapely legs, puffy blonde hairdo and deep, whiskey voice isn’t quitting anytime soon – or so it seems.

Why haven’t I seen her in anything else? Born in 1925 in Detroit, Elaine was Continue reading