Day 180: Celebrity

71KREPYQ2QLCelebrity, Woody’s 29th movie as director, features another massive cast and themes of relationships, love, infidelity, sexuality…wait.

Haven’t I seen this before?

Celebrity features a number of interesting performances, notably the leggy, sexy, and model-esque Charlize Theron playing a leggy and sexy model…British actor Kenneth Branagh doing a very fine impression of Woody Allen throughout the movie – stuttering, gesturing, and trying to get into the pants of every woman he meets – theatre director, author, and actor Andre Gregory (of My Dinner With Andre fame) making a cameo appearance as film director John Papadakis…character actor J.K. Simmons as a souvenir hawker…Leonardo DiCaprio, whom someone on IMDB noted was in this film for exactly 10 minutes and 20 seconds.

My favorite scene is when Robin Simon (Judy Davis) and Tony Gardella (Joe Mantegna) are at a screening of a film. Robin says she’s ought to know more people there. Tony points to Andre Gregory.

Tony Gardella: You see that guy?

Robin Simon: Mmm-hmm.

Tony: That’s Papadakis, the director of the film were gonna see.

Robin: Oh, yes.

Tony: Oh, yeah, he’s very arty, pretentious, one of those assholes who shoots all his films in black and white.

Robin: [laughs]

[Camera picks out a handsome young guy talking on the phone.]

Tony: Tom Dale. *Big* star. He’s in New York filming an adaptation of a sequel of a remake.

[Camera picks out a guy who looks like the late film critic Gene Siskel.]

Tony: Oh, and getting out of the elevator I see there’s a famous critic.

Robin: Him, I recognize.

Tony: Oh, he used to hate every movie. Then, he married a young, big-bosomed woman, and now he loves every movie.

The line about the pretentious asshole who shoots all his films in black and white was an inside joke because Celebrity is shot in black and white, which Continue reading

Day 157: Annie Hall

51vM7IV5W5LI love this movie.

In fact, I’ll go far as to say that Annie Hall is my #1 favorite Woody Allen film.

This romantic comedy is easy to explain on a thematic level. It’s the story of a couple (an insecure, neurotic comedian named Alvy Singer, played by Woody Allen, and an actress named Annie Hall, played by Diane Keaton) from first meeting to break up, told with incredible pathos, such sublime insight into the human condition, that it still resonates deeply with audiences nearly 40 years after it was released in 1977.

What’s harder to explain is the leap in quality between Annie Hall and Love and Death, which was released just two years previously. And it’s incomprehensible to me that Annie Hall comes a mere 10 years from Woody’s first turn behind the camera in What’s Up, Tiger Lily?, one of the worst movies I’ve ever seen (albeit not as bad as Everything You Ever Wanted to Know about Sex*).

Annie Hall marks a turning point in Woody’s career, an Oscar-winning turning point.

According to its entry on Wikipedia,

Annie Hall won four Oscars at the 50th Academy Awards on April 3, 1978. Producer Charles H. Joffe received the statue for Best Picture, Allen for Best Director and, with [Marshall] Brickman, for Best Original Screenplay, and Keaton for Best Actress.

Keaton is amazing in his movie. Not only is her wardrobe noteworthy (it touched off a fashion trend in the mid-1970s) but so are her mannerisms, including the way she delivers her lines.

For example, when Annie and Alvy first talk after a tennis match, she utters the phrase “La-di-da, la-di-da, la la” in such a cute way that it’s one of my favorite lines from the movie, and the scene one of the best.

Ever since the recent story about one of Woody’s adopted kids accusing him of Continue reading