There’s something about the opening of Haydn’s Symphony No. 6 in D “Le Matin” that reminds me of a sunrise, which is fitting since I’m sitting here watching one as I type this.
That’s not to say this piece remains idyllic and pastoral as Debussy or a Chopin nocturne. After easing into it for nearly a minute, Symphony No. 6 bursts forth (around the :56 second mark) like the sun over the horizon, throwing color everywhere.
I knew nothing about this composition before listening to it this morning. However, I just discovered that “Le Matin” means “the morning.” According to its entry on Wikipedia:
The nickname (not Haydn’s own, but quickly adopted) derives from the opening slow introduction of the opening movement, which clearly depicts sunrise. The remainder of the work is abstract, as, indeed, are the other two symphonies in the series. Because of the initial association, however, the remaining were quickly and complimentarily named “noon” and “evening”.
Do I know my Classical music, or what?
Haydn wrote Symphony No. 6 in D in 1761. He was Continue reading