Category Archives: Breaking the Fourth Wall

Day 191: Whatever Works

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81o4Izgs4mL._SL1500_Whatever Works doesn’t.

Not on any level.

Larry David (playing the anhedonic Woody Allen character this time around) is terrific casting – if you want a douche bag as a protagonist.

Here’s how the movie starts: A bunch of friends sitting around in New York talking. Boris is insulting them. Mercilessly.

After a few minutes, Boris starts talking to the audience, calling them (us) mouth breathers.

He gets up and walks away from his friends, still talking to the camera (“breaking the fourth wall”). He says:

Why would you want to hear my story? Do we know each other? Do we like each other? Let me tell you right off, ok… I’m not a likeable guy. Charm has never been a priority with me. And just so you know, this is not the feel-good movie of the year. So if you’re one of those idiots who needs to feel good, go get yourself a foot massage.

And there you have it. That sets the tone of the movie. He tells us from the get-go he’s not a likeable character. The movie proves that. Repeatedly.

He even warns us mouth breathers up front:

Boris: What the hell does it all mean any how? Nothing. Zero. Zilch. Nothing comes to anything.

Boris is right.

This isn’t the feel-good movie of the year.

And this movie, essentially, means Continue reading →

Day 185: Anything Else

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51T0H078P2LAnything Else is a trifle.

It’s an interesting movie with not one but two quirky characters – Woody Allen, who plays a sixtysomething comic and Jason Biggs, who plays his protege, an up-and-coming young comic.

According to its entry on IMDB, Anything Else is:

A contemporary romantic comedy set in New York city about the relationship between an older guy and his younger protege. The older guy guides the younger through a messy and hilarious love story.

I don’t know about hilarious. But it’s mildly amusing.

Woody Allen … David Dobel
Jason Biggs … Jerry Falk
Fisher Stevens … Manager
Anthony Arkin … Pip’s Comic
Danny DeVito … Harvey Wexler
Christina Ricci … Amanda Chase
KaDee Strickland …Brooke
Jimmy Fallon … Bob

But it’s a trifle. And life’s too short to trifle with trifles.

Even a trifle about relationships from Woody Allen.

Even when the lead actress is hottie Christina Ricci.

Well, okay. Maybe Anything Else is worth trifling with.

Day 157: Annie Hall

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51vM7IV5W5LI love this movie.

In fact, I’ll go far as to say that Annie Hall is my #1 favorite Woody Allen film.

This romantic comedy is easy to explain on a thematic level. It’s the story of a couple (an insecure, neurotic comedian named Alvy Singer, played by Woody Allen, and an actress named Annie Hall, played by Diane Keaton) from first meeting to break up, told with incredible pathos, such sublime insight into the human condition, that it still resonates deeply with audiences nearly 40 years after it was released in 1977.

What’s harder to explain is the leap in quality between Annie Hall and Love and Death, which was released just two years previously. And it’s incomprehensible to me that Annie Hall comes a mere 10 years from Woody’s first turn behind the camera in What’s Up, Tiger Lily?, one of the worst movies I’ve ever seen (albeit not as bad as Everything You Ever Wanted to Know about Sex*).

Annie Hall marks a turning point in Woody’s career, an Oscar-winning turning point.

According to its entry on Wikipedia,

Annie Hall won four Oscars at the 50th Academy Awards on April 3, 1978. Producer Charles H. Joffe received the statue for Best Picture, Allen for Best Director and, with [Marshall] Brickman, for Best Original Screenplay, and Keaton for Best Actress.

Keaton is amazing in his movie. Not only is her wardrobe noteworthy (it touched off a fashion trend in the mid-1970s) but so are her mannerisms, including the way she delivers her lines.

For example, when Annie and Alvy first talk after a tennis match, she utters the phrase “La-di-da, la-di-da, la la” in such a cute way that it’s one of my favorite lines from the movie, and the scene one of the best.

Ever since the recent story about one of Woody’s adopted kids accusing him of Continue reading →

Day 156: Love and Death

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51S3BR0E4TLLove and Death (1975) is Woody Allen’s sixth outing as director.

This movie breaks from tradition in that it doesn’t open with Dixieland jazz playing over black-and-white credits. This time around it’s Mussorgsky’s The Great Gate at Kiev from Pictures at an Exhibition over black-and-white credits.

But not breaking from tradition are two of Woody’s favorite cinematic themes: love and death.

My favorite parts of the movie are:

  • Woody’s voiceover narration, which is witty and clever. As usual.
  • Woody as a child: “I recall my first mystical vision. I was walking through the woods thinking about Christ. If he was a carpenter I wondered what he’d charge for book shelves.” (Suddenly, the young lad encounters Death.)
  • The philosophical debates conducted in earnest seriousness despite the incongruity of the setting.
  • The opera scene with Woody flirting with Countess Alexandrovna, played by Olga Georges-Picot, a French actress who committed suicide on 19 June 1997. She was 57.

Death is a recurring topic in Woody Allen movies. So is a protagonist with Continue reading →