Day 132: Superb Performances!

HaydnCD132The first notes from the first track of today’s CD are from a guitar-like instrument known as a lute.

I had no idea Haydn composed for stringed instruments of that type.

Also, I had no idea that the lute was so revered. For example, the Lute Society has been around 60 years.

“What is a lute?” you ask.

Allow me.

According to its entry on Wikipedia,

Lute can refer generally to any string instrument having the strings running in a plane parallel to the sound table (in the Hornbostel–Sachs system), more specifically to any plucked string instrument with a neck (either fretted or unfretted) and a deep round back, or more specifically to an instrument from the family of European lutes.

The European lute and the modern Near-Eastern oud both descend from a common ancestor via diverging evolutionary paths. The lute is used in a great variety of instrumental music from the Medieval to the late Baroque eras and was the most important instrument for secular music in the Renaissance. It is also an accompanying instrument, especially in vocal works, often realizing a basso continuo or playing a written-out accompaniment. The player of a lute is called a lutenist, lutanist, “lewtist” or lutist, and a maker of lutes (or any string instrument) is referred to as a luthier.

Here’s what it looks like. Kupetzky_Lute_1711

I think I prefer the much shorter definition on the Merriam-Webster site:

a stringed instrument having a large pear-shaped body, a vaulted back, a fretted fingerboard, and a head with tuning pegs which is often angled backward from the neck

“A large pear-shaped body” is the perfect descriptor.

How many strings does the lute have, anyway? I’ve read that they can have up to 20 or 24 strings. Typically, they may have 12. Their strings are arranged in “courses,” of two each. But how many strings a lute has apparently depends on what kind of lute it is.

Regardless, a lute seems like a complicated instrument to play, but one with a lovely sound like that of a Classical guitar. I believe that sound comes from the fact that the strings are “gut” or nylon, and the body is mostly wood. So there’s a lot of resonance and Continue reading

Day 34: Piano Concertos, Denny’s, and Serendipity

HaydnCD34I love this music!

Today’s CD is a new beginning. Gone are Haydn’s symphonies. This morning starts Piano Concertos.

So what better place to be on a dark, chilly Sunday morning in November – in search of a new beginning – than a Denny’s restaurant?

Well, I suppose the case could be made that a beach in Tahiti with a tall, cool piña colada – served by an equally tall, cool island girl – beats where I’m sitting right now. But Denny’s runs a close second, right? (Admittedly, Kevin, our server, is tall. And he’s probably cool in his own way. But I am dubious that Kevin serving me a piña colada on a beach in Tahiti – or, anywhere, frankly – would have the same effect.)

The first composition on today’s CD is  Piano Concerto in D No. 11. (NOTE: The Hoboken-Verzeichnis system of cataloging Haydn’s compositions is used extensively for these concertos. The Hoboken-Verzeichnis system was named after Anthony van Hoboken, a collector and musicologist who lived to be 96 years of age, passing away in 1983.)

As usual when I start to explore a new type of music and its performers, I discover all sorts of things linking from other things. (The Internet is a blessing and a curse — a tremendous boon to people with insatiable curiosities…and a constant drain on said people’s bank accounts.)

For example: searching for information about the pianist (Yolanda Violante) on today’s CD, and the pianist (Paul Badura-Skoda) in the YouTube clip below, somehow lead me to the mind-blowing “Arthur Rubinstein The Complete Album Collection” boxed set, which consists of 144 discs for $101 (the price as of today’s date). I have no idea how I ended up on Amazon, or drooling on my keyboard in awe of the grandeur of this Rubinstein boxed set. But once I saw that collection, I immediately added it to my shopping cart.

One of my most beloved treasures is Rubinstein’s Chopin Collection. So, how could I possibly resist Arthur Rubinstein‘s complete recordings – touted “…as the world’s biggest CD edition for a solo artist, according to Guinness World Records”?

That’s what they call a rhetorical question. I couldn’t resist it. And didn’t.

But that’s what I love about doing this.

It is this serendipitous, circuitous discovery of tangental subjects that Continue reading