In other words, passive listening.
I wanted to see if something about these three symphonies would jump out at me if I wasn’t paying attention to them.
I also wanted to see if symphonies are best actively heard, or if one can enjoy them by keeping them in the background.
Even though I listened to CD 14 at least twice, and possibly three times, I discovered what one might expect I’d discover: Unless I pay attention, their nuances, even their broad sweep and expert craftsmanship, are lost to me.
I may as well be listening to the latest from Miley Cyrus.