There are 14 tracks on today’s CD. And about that many credits – maybe more – for performers.
In addition, all of the compositions appear to be a dozen words long, in German.
So I shan’t be listing either side of the equation; otherwise, I’d be spending all of my time writing down the specifics rather than listening to the music and/or getting on with my life, which I am wont to do.
That written, I will point out that the first track (“Meersstille und gluckliche Fahrt Cantata Op. 112”). Now, if this blog was an episode of, say, South Park, the kids in that series would snigger themselves silly over the word “Fahrt.” The German pronunciation is quite similar to the English word “fart,” only with a slightly different enunciation of the “ar.” The German “Fahrt” is pronounced more like “f-ah-rt.” The English pronunciation of the word “fart” is more like “f-are-t.”
Still, those South Park kids would have a field day with that one, just on sight alone.
Just two musicians are making all of this beautiful music!
Timora Rosler cello
Klara Wurtz piano
The level of musicianship is outstanding. The full, rich, dynamic sounds emanating from this duo need to be heard to be believed. I realize the lion’s share of credit goes to Ludwig himself who composed these sonatas. But, still, they’re played with extraordinary skill.
Cello Sonata in F Op. 5 No. 1 (composed 1796; Beethoven was 26)
Cello Sonata in G Minor Op. 5 No. 2 (composed 1796; Beethoven was 26)
Cello Sonata in A Op. 69 (composed in 1808; Beethoven was 38)
Of the last sonata, its entry on Wikipedia says this:
The Sonata No. 3 dates from Beethoven’s most productive compositional period. Composed in the same year were the Violin Concerto and the two piano trios of Op. 70; the same year also saw the completion and publication of the Fifth and Sixth Symphonies.