Day 195, Part 2: My Top Ten (Good and Bad) Woody Allen Films

Here are my 10 favorite Woody Allen films, ranked in order:

1. Annie Hall (1977)
2. Midnight in Paris (2011)
3. The Purple Rose of Cairo (1985)
4. Crimes and Misdemeanors (1989)
5. Take the Money and Run (1969)
6. The Curse of the Jade Scorpion (2001)
7. Manhattan (1979)
8. Match Point (2005)
9. Blue Jasmine (2013)
10. Small Time Crooks (2000)
10. (tie) Zelig (1983)

Here are my 10 least favorite Woody Allen films, ranked in order:

1. Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask) (1972)
2. What’s Up, Tiger Lily? (1966)

(Two of the worst movies I’ve ever seen in my life, bar none.)

3. Sleeper (1973)
4. Bananas (1971)
5. Love and Death (1975)
6. Deconstructing Harry (1997)
7. Another Woman (1988)
8. Hannah and Her Sisters (1986)
9. A Midsummer Night’s Sex Comedy (1982)
10. Celebrity (1998)
10: (tie) Husbands and Wives (1992)

I was surprised how many of Woody’s movies I didn’t like. But his films seen in context, one after another, I could definitely discern high and low points of creativity, as well as inspired versus uninspired screenwriting.

Woody Allen in the 1990s was caustic. Almost unwatchable. The patina of artistry had rubbed off and he was pure cynic, especially regarding relationships. The level of unhappiness in his characters is palpable. I can only take just so much watching people hurting each other, and themselves.

He rebounded in the early 2000s with some truly funny comedies.

And then he hit pure gold in 2011 and 2013 with Midnight in Parish and Blue Jasmine, respectively, two of his best movies – which is cool because he seems to get better the older he gets.

Day 157: Annie Hall

51vM7IV5W5LI love this movie.

In fact, I’ll go far as to say that Annie Hall is my #1 favorite Woody Allen film.

This romantic comedy is easy to explain on a thematic level. It’s the story of a couple (an insecure, neurotic comedian named Alvy Singer, played by Woody Allen, and an actress named Annie Hall, played by Diane Keaton) from first meeting to break up, told with incredible pathos, such sublime insight into the human condition, that it still resonates deeply with audiences nearly 40 years after it was released in 1977.

What’s harder to explain is the leap in quality between Annie Hall and Love and Death, which was released just two years previously. And it’s incomprehensible to me that Annie Hall comes a mere 10 years from Woody’s first turn behind the camera in What’s Up, Tiger Lily?, one of the worst movies I’ve ever seen (albeit not as bad as Everything You Ever Wanted to Know about Sex*).

Annie Hall marks a turning point in Woody’s career, an Oscar-winning turning point.

According to its entry on Wikipedia,

Annie Hall won four Oscars at the 50th Academy Awards on April 3, 1978. Producer Charles H. Joffe received the statue for Best Picture, Allen for Best Director and, with [Marshall] Brickman, for Best Original Screenplay, and Keaton for Best Actress.

Keaton is amazing in his movie. Not only is her wardrobe noteworthy (it touched off a fashion trend in the mid-1970s) but so are her mannerisms, including the way she delivers her lines.

For example, when Annie and Alvy first talk after a tennis match, she utters the phrase “La-di-da, la-di-da, la la” in such a cute way that it’s one of my favorite lines from the movie, and the scene one of the best.

Ever since the recent story about one of Woody’s adopted kids accusing him of Continue reading