Which means all I can go on to comment is the tone and range of soprano Elly Ameling’s voice, and the playing and tone of pianist Jorg Demus. I can’t even suss out what the song titles mean.
Given the stripped-down aspect of these Songs performances, it’s akin to listening to little operas. Only with just one voice. And one instrument. Hearing German performed in this way makes the harshness of the language stand out in a way that one might not notice if it were buried under layers of orchestra and performed by a cast of actors/singers.
So, in some way, today’s CD makes me chuckle. I love the German language. But heard this way makes it sound even funnier.
Before I comment any more, I’ll Continue reading