Category Archives: Favorite Haydn Scottish Songs

Day 78: Kellyburn Braes ROCKS!

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HaydnCD78Today’s CD of Scottish Songs for William Napier (V of, hopefully, V) got off to a rousing start with tenor Jamie MacDougall belting out a bold and lively version of “My goddess woman” (Track 1). It’s a brash ode to a lass the protagonist deems, well, a goddess.

Track 2 (“Bid me not forget”) is given to soprano Lorna Anderson. And it’s not among my favorites.

Track 3 (“Ae fond kiss”) is another MacDougall song. Not a catchy melody. Music forgettable.

Track 4 (“Kelly-burn braes”) is a Huh? song. The melody is familiar. I’ve heard this before. But the lyrics…what do they mean? For that answer, I once again turn to the wonderful web site The Lied, Art Song, and Choral Texts Archive created and maintained by Emily Ezust.

Here are the lyrics to this fetching, instantly FAVORITE, song: Continue reading →

Day 76: Of Ghosts and Miracles

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HaydnCD76My first destination this morning was the new Tim Horton’s near our home. I went in, sat down, remarked to myself how much fun it’ll be to listen and write from a different location (not to mention eat different food and drink different coffee).

Then, I thought, “I’d better check to see if their Wi-Fi works before I order.” I set up my laptop, searched for a signal…

And found none.

I asked the gal behind the counter if they have  Wi-Fi (since their signs indicate they do). She told me Wi-Fi wasn’t available yet.

So I packed up and left.

I’m back at Panera Bread.

But that’s okay. It’s good coffee and good food and – like Cheers – everybody knows my name.

As I listen to Haydn’s Scottish Songs for William Napier III, I gaze out the window to witness yet another blizzard. I observe the people around me (including the very animated lady ahead at a table on the left chatting about her latest Bible study) reading, eating, laughing.

A minute ago, a friend sent me the URL to this WestJet Christmas Miracle video, which I watched, tears streaming down my face.

This line was especially meaningful to me:

“A WestJetter would say it was more than mere fun. Miracles do happen when we all work as one.”

Indeed.

There’s a tie-in between the WestJet stunt and today’s CD of folk songs written for William Napier. Continue reading →

Day 75: Half Way!

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HaydnCD75Today marks the half-way point in my exploration of the music of Joseph Haydn.

Tempus fugit, eh?

The songs on Haydn CD 75 are a continuation of the ones on CD 74: Scottish Songs for William Napier. Only difference is today’s CD is titled Scottish Songs for William Napier II.

The story of what Haydn did for Mr. Napier is quite extraordinary. I wrote about it yesterday. Take a look when you get a chance.

There are 33 tracks on today’s CD. But the total running time is only about 63 minutes. I’m not math whiz. But when I cipher that ratio is comes out to less than 2 minutes per song.

Screen Shot 2013-12-14 at 7.37.47 AMTrack 1 (“Duncan Davison”), for example. At just over one minute, it’s a wee song. But a fun, bouncy way to start the CD.

“They call him Duncan Davison,” sings tenor Jamie MacDougall in a Scottish brogue so heavy you’d swear he was wearing the traditional belted plaid during his performance.

Track 2 (“Be kind to the young thing”) is another MacDougall performance, thought not as jaunty or fun.

Track 3 (“Had awa frae me, Donald”), performed by soprano Lorna Anderson, is one of the best tracks on this or any previous Scottish Songs For [fill in the blank] CD. Her voice is lilting, and poignant, and wistful all at once. So very, very pretty. This could be Anderson’s finest moment in these Scottish song CDs. Favorite!

I’m going to see what these lyrics are, what they mean. “Had awa frae me” means nothing to me at t his point, although I have an idea. To learn more, I Continue reading →

Day 62: More Scottish Songs

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HaydnCD62The underpinning of Buddhism is a word called dukkha, which is a Pali word often translated as suffering, anxiety, dissatisfaction, un-ease. It is found in the Four Noble Truths – in fact, it is the first of the Four.

The second of the Four Noble Truths tells us where dukkha comes from — ourselves. We crave. Or, another way to describe it is we grasp. Essentially, we want things to be different from how they are.

That has to be the reason why I think differently about today’s Haydn CD from how I did about yesterday’s.

It’s, essentially, the same music. The same performers. The same musicians.

Yet, today, I like it. I don’t mind the near-contralto range of soprano Lorna Anderson, or the lower-range of tenor Jamie MacDougall. For some reason, I actually like today’s selection of songs.

Obviously, there are two possible explanations: (1) The song selections are different, and/or (2) I am different.

Frankly, I think it’s the latter. Maybe I just needed a little time to get used to what I was hearing.

Track 9 (“Hey tutti taiti”), for example. A really fun little ditty.

And Track 16 (“The wish”).

What I’ve noticed about today’s CD is: Continue reading →