Day 240: Music for String Ensembles II

BeethovenCD45For the first time in awhile, the Suske Quartett isn’t performing for my listening pleasure.

On today’s CD, there two sets of musicians.

The first is:

Zurich String Quintet (Tracks 1-8)

Boris Livschitz violin
Matyas Bartha violin
Zvi Livschitz violas
Dominik Ostertag violas
Mikayel Hakhnazaryan cello

The second is:

Perez Quartet (Tracks 9-13)

Carolina Kurkowski Perez violin I
Clemens Schuldt violin II
Alexander Kiss viola
Chiho Takata viola (track 13)
Simon Deffner cello

The compositions are:

String Quintet in E Flat Op. 4

Fugue in D Op. 137

Duet in E Flat Wo032

The first one – String Quintet in E Flat Op. 4 – is quite nice. Sprightly. Movement IV (“Finale: Presto”) is especially refreshing, given all of the more ponderous quartets and quintets lately.

And, for a really nice shot in the arm, Fugue in D Op. 137 can’t be beat. Give me a good fugue any day and I’m a happy guy.

Also of great interest to me is Track 11, which is “Prelude and Fugue in C Hess 31 for string quartet.” Most of the duets in the last composition are fun to listen to.

Day 239: Music for String Ensembles I

BeethovenCD44The music is much livelier today than it was yesterday.

Still, the first two movements sounds like the soundtrack to a 1920s silent film.

But at least today’s music is not making me want to wallow in my barley pop.

The first two compositions (String Quintet in C Op 29 and String Quintet in C Minor Op 104) are performed by the Zurich String Quintet:

Boris Livschitz violin
Matyas Bartha violin
Zvi Livschitz violas
Dominik Ostertag violas
Mikayel Hakhnazaryan cello

The last composition (String Quartet in F) was performed by the Suske Quartet:

Karl Suske violin I
Klaus Peters violin II
Karl-Heinz Dommus viola
Matthias Pfaender cello

My favorite movement from all of them today is Movement IV (“Finale: Prestissimo”) from String Quintet in C Minor Op. 104. It’s sprightly and fun. All the rest still sound too somber for my tastes.

Day 231: String Trios II

BeethovenCD36Whereas yesterday, I didn’t really appreciate the string trios, today – for some odd reason – I do.

Maybe I’m a sucker for music composed in G, which is how today’s CD begins (String Trio In G Op. 9 No. 1). It’s possible. Because this morning I was attentive to every note from the very first.

Maybe it’s the lower register and the slower pace that adds depth. It’s possible. When something seems emotional, rather than lugubrious, I take notice.

Honestly, I don’t know why today’s trios affect me differently.

I just know they do.

Today’s music seems more introspective, melancholy, or expansive to me. It seems to have a more colorful palette.

Here’s what I’m listening to:

String Trio In G Op. 9 No. 1 (composed 1797-1798; Beethoven was 27 or 28)

String Trio in D Op. 9 No. 2 (composed 1797-1798; Beethoven was 27 or 28)

String Trio in C Minor Op. 9 No. 3 (composed 1797-1798; Beethoven was 27 or 28)

Here’s who’s performing them:

The Zurich String Trio

Boris Livschitz violin
Zvi Livschitz viola
Mikael Hakhnazarian cello

By the way, String Trio in D Op. 9 No. 2 is the flip side to String Trio in G Op. 9 No. 1. The latter is bright, lively, and textured. The former is contemplative, relaxed, and deep.

This was one of my favorite Beethoven CDs so far. It’s not in my Top 5. But it’s surely in my Top 15.

Day 230: String Trios I

BeethovenCD35Other than being very pleasant, soothing music, performed with exceptional skill, the sonatas on Beethoven CD 35 – String Trios I – aren’t all that memorable.

None jumped out at me the way, say, they did on the last CD (Violin Sonatas IV, especially Violin Sonata No. 9 in A Op. 47 “Kreutzer”).

This reminds me of music one would hear playing at the opening of an art show, or at a posh wine-and-cheese soiree at someone’s estate.

However, the music is not lively enough to be sufficient background for a writing project; nor are these string trios compelling enough for active listening.

Here’s what I heard today:

String Trio in E Flat Op. 3 (composed 1792-96; Beethoven was 22-26 years old)

Serenade in D Op. 8 (composed 1795-97; Beethoven was 25-27 years old)

Here’s who performed these compositions:

The Zurich String Trio

Boris Livschitz violin
Zvi Livschitz viola
Mikael Hakhnazarian cello