Day 195, Part 2: My Top Ten (Good and Bad) Woody Allen Films

Here are my 10 favorite Woody Allen films, ranked in order:

1. Annie Hall (1977)
2. Midnight in Paris (2011)
3. The Purple Rose of Cairo (1985)
4. Crimes and Misdemeanors (1989)
5. Take the Money and Run (1969)
6. The Curse of the Jade Scorpion (2001)
7. Manhattan (1979)
8. Match Point (2005)
9. Blue Jasmine (2013)
10. Small Time Crooks (2000)
10. (tie) Zelig (1983)

Here are my 10 least favorite Woody Allen films, ranked in order:

1. Everything You Always Wanted to Know About Sex* (*But Were Afraid to Ask) (1972)
2. What’s Up, Tiger Lily? (1966)

(Two of the worst movies I’ve ever seen in my life, bar none.)

3. Sleeper (1973)
4. Bananas (1971)
5. Love and Death (1975)
6. Deconstructing Harry (1997)
7. Another Woman (1988)
8. Hannah and Her Sisters (1986)
9. A Midsummer Night’s Sex Comedy (1982)
10. Celebrity (1998)
10: (tie) Husbands and Wives (1992)

I was surprised how many of Woody’s movies I didn’t like. But his films seen in context, one after another, I could definitely discern high and low points of creativity, as well as inspired versus uninspired screenwriting.

Woody Allen in the 1990s was caustic. Almost unwatchable. The patina of artistry had rubbed off and he was pure cynic, especially regarding relationships. The level of unhappiness in his characters is palpable. I can only take just so much watching people hurting each other, and themselves.

He rebounded in the early 2000s with some truly funny comedies.

And then he hit pure gold in 2011 and 2013 with Midnight in Parish and Blue Jasmine, respectively, two of his best movies – which is cool because he seems to get better the older he gets.

Day 195: Blue Jasmine

71XsC--9m-L._SL1500_Gee whiz. If Blue Jasmine – the 44th movie Woody Allen directed – was any more depressing, it would be Husbands and Wives or Crimes and Misdemeanors.

The film is about a wealthy New York wife (Cate Blanchett), married to a high-rolling financier (Alex Baldwin), a Bernie Madoff-type who suddenly finds herself without a husband, without a home, and without money after her husband goes to prison for fraud.

The dramatic drop from the highest high to a humbling low takes a toll on her life and she more or less snaps, ends up talking to herself.

She moves in with her sister in San Francisco and takes a job as a receptionist in a dentist’s office while she attends school to better herself. The pressure of juggling her job, her class, her sister’s lower-class lifestyle and friends (who hit on her), and her boss (who hits on her), and a growing drinking problem takes a toll.

Her last chance at escaping the downward spiral is meeting a wealthy state department diplomat (Peter Sarsgaard) at a party, inventing a different past, and posing as an interior decorator. The two fall in love.

But when Jasmin’s ruse is discovered, the bottom totally drops out.

Blue Jasmine was nominated for Continue reading