Day 299: The Great Gatsby (1974)

81UmyTUTxWL._SL1500_The main thing the 1974 adaptation of The Great Gatsby has going for it is Robert Redford in the titular role.

That’s really about it.

Redford makes a dashing Gatsby, sporting more of an emotional palette than Alan Ladd was able to muster.

This film – with script by Francis Ford Coppola – has a kind of shimmering, dreamy quality to it. It’s much better than the 1949 version starring Ladd. But it still just kind of lies there, unfolding like petals wilting off a rose.

Again, the cast is competent, even somewhat fascinating:

Robert Redford … Jay Gatsby
Mia Farrow … Daisy Buchanan
Bruce Dern … Tom Buchanan
Karen Black … Myrtle Wilson
Scott Wilson … George Wilson
Sam Waterston … Nick Carraway
Lois Chiles … Jordan Baker
Howard Da Silva … Meyer Wolfsheim
Roberts Blossom … Mr. Gatz
Edward Herrmann … Klipspringer

I’ve never really liked Mia Farrow. And I don’t think she’s a good fit in her role as Daisy, either. She seems like such a ditz, an airy woman that is more of an obsession for Gatsby than anything he’d actually enjoy once he obtained. But maybe that’s it. Gatsby hasn’t obtained her, and he’s wanted to all these years – to the point that Daisy becomes a fixation.

I like Sam Waterston as Nick Carraway, and I especially like the use of narration to begin the film. I think that adds substance to the movie.

Edward Hermann, one of my favorite character actors, appears in the movie as Continue reading

Day 176: Don’t Drink the Water

51K2CVB5NDLWoody Allen adapted this 1994 movies from his 1966 play of the same name.

Don’t Drink the Water, the 25th film Woody Allen directed, opens to voice-over narration, delivered in that sonorous, well-modulated radio-announcer (or TV news anchor – a la Ted Baxter, “The anchor man”) style, and period visuals of the Cold War, circa early 1960s.

But the narrative is convoluted, hard to follow, runs on too long, and uses too many words.

Sort of like the movie itself.

By the time Michael J. Fox appears – and he seems woefully miscast – I’m not only not hooked, I’m turned off.

Plus, Woody used hand-held cinematography again. Yuck. It totally interrupts the flow of the movie, although it appears he was going for a documentary style. So perhaps he Continue reading

Day 164: The Purple Rose of Cairo

41WAWC1EV0LThe Purple Rose of Cairo, the 14th film directed by Woody Allen, is my third favorite movie by this American icon.

When Jeff Daniels visited our city 6-7 years ago to promote his latest CD, I brought the insert from the DVD for him to sign.

He did.

Haydn231The Purple Rose of Cairo is an incredibly inventive film within a film – a movie about a movie named “The Purple Rose of Cairo” that Cecilia (Farrow) watches with such awe and reverence and longing that the characters on the screen come to life for her and one – Tom Baxter (Daniels) – steps off the screen to rescue her from her brutish husband Monk (Aiello), from whom she escapes by watching romantic movies.

Eventually, the other characters in “The Purple Rose of Cairo” movie who are on the screen (in black and white because it’s supposedly an old Hollywood movie) find themselves off script, and even talking to the audience.

Brilliant.

The movie features some of my favorite actors (Daniels, Herrmann, Wood, for example), including several from Hollywood’s Golden Age Continue reading