The first track – Concertino in C HOB XIV: 12, Movement I (“Allegro”) – reminded me of Glenn Gould’s rendition of Bach’s Brandenburg Concertos. The piano was all snappy and trill-y and bright. Loads of fun. Very lively.
Movement II (“Adagio”) definitely slows the tempo. But the piano is so lovely (in a Chopin nocturne sort of way) that the retarded pace is not depressing. More slightly melancholy, but not in an unpleasant sort of way.
Movement III (“Finale: Allegro”) is a bit less allegro than some I’ve heard. But, the sprightly interplay between the piano and the strings is delightful. A terrific blending of instruments.
Divertimento in C HOB XIV: 7 was equally fun to hear. Movement II (“Menuet”), especially, was lively and compelling.
Concertino in F HOB XVIII: F2 was more subdued, more stately, than the previous selections. But just when I thought it was going to go out with a wimper, not an altogether unpleasant one, Movement III (“Allego assai”) kicked in and flipped me on my ear. What a brisk, thousand-notes-a-minute piano piece this is!
Divertimento in C HOB XIV: 3 opens with a first movement (“Allegro moderato”) that features more fleet-fingered piano playing from Harald Kosik, but with more balance from the other musicians. It’s a nice piece. Movement II (“Menuet”) is a little slow for my tastes, and not bouncy enough as my favorite menuets are. But Movement III (“Finale: Allegro molto”) jars the menuet-induced reverie with a butt-kicking finale that, Continue reading